Kendall Buster, Double Chalice
Posts tagged installation.
On { SVA portfolios } today — thank you for the feature.
Nocturne of the Limax Maximus by Paula Hayes @ MoMA, New York —
Slug
via { a212 }
Oh my God this project… the above photo doesn’t do it justice; click through.
(via 57577)
Benjamin Armstrong 1975–
Hold everything dear, 2008
fabric, blown glass, wax and wood
132 x 226 x 243 cm
Collection of The University of Queensland, purchased 2009
Courtesy of the artist and Tolarno Galleries, Melbourne
via { UQ Art Museum }
Snow by tokujin yoshioka
(via shonetan:thresholdnote)
tokujin yoshioka for ‘sensing nature’ exhibition
Kerstin Ergenzinger presents Study for Longing / Seeing, a reactive installation that moves in response to both seismograph data and the movements of visitors in the exhibition hall.
via { artculture }
Tomás Saraceno, Biospheres, Copenhagen
via { BAhighlife }
Henrik Håkansson, Broken Forest, 2006
via { Bonniers Konsthall }
Henrik Håkansson, Broken Forest, 2006
via { Global Project }
Tomás Saraceno, 14billion
via { 14billion-construction }
Tomás Saraceno, Air-Port-City, 2009
“…is a huge mural he has created which is a whimsical depiction of a possible floating city of the future. It’s part Victorian etching and part scientific drawing. Walker associate curator Yasmil Raymond says in a time of hyper-specialization in art, Saraceno is comfortable in many different worlds.
…
Real floating cities may be far in the future. Saraceno certainly hasn’t found all the answers.
Yet he hopes other people will help fill in the blanks. He quotes the Russian film director Andrei Tarkovsky about how he just told part of a story in his movies.
‘Like Tarkovsky was always saying, ‘I will only give you 50 percent, the other 50 percent you have to build it by yourself.’ Without your imagination we will not do anything.’”
via { MPRnews }
Jeppe Hein at 303 Gallery
“This allegorical play on the constant dialogue between expectation and vision, truth and imagery is also extrapolated through “With Your Own Eyes,” a hole in the gallery wall through which a viewer will see a reflection of his own eye rather than a voyeuristc view through a private space inside the gallery.”
Press release via 303 Gallery.
Photo via the OS.
{ Jeppe Hein at 303 Gallery }, NYC.
January 28 - March 5 2011
” “Light Pavilion,” several chains of light bulbs hang down from the ceiling on strings. When visitors enter the space the light chains slowly move upwards. After a short period of time, an accessible pavilion of light chains appears that slowly sinks down again. Visitors exploring the back room are suddenly facing a member of the gallery staff pedalling on an exercise bike, the source of the kinetic energy which animates the light itself. Again upending the notion of art’s supernatural power, Hein breaks down the wall between creator and spectator, and the artistic process itself is sidestepped in favor of collective experience.” — 303 Gallery press release
photo via the OS.
