Screw writing “strong” women. Write interesting women. Write well-rounded women. Write complicated women. Write a woman who kicks ass, write a woman who cowers in a corner. Write a woman who’s desperate for a husband. Write a woman who doesn’t need a man. Write women who cry, women who rant, women who are shy, women who don’t take no shit, women who need validation and women who don’t care what anybody thinks. THEY ARE ALL OKAY, and all those things could exist in THE SAME WOMAN. Women shouldn’t be valued because we are strong, or kick-ass, but because we are people. So don’t focus on writing characters who are strong. Write characters who are people.
The city is a fact in nature, like a cave, a run of mackerel or an ant-heap. But it is also a conscious work of art, and it holds within its communal framework many simpler and more personal forms of art. Mind takes form in the city; and in turn, urban forms condition mind.
Hi, I didn’t make it. The theme is called Optica; just do a search for that.
I thought for sure they would’ve had a theme credit in the code, but I just CTRL+U’d it on my page and couldn’t find anything :/ (I never delete theme or other credits).
There is a great irony in building palaces and monuments. These structures are essentially constructed by the poor, overseen by the fortunate and enjoyed by the elite. Such architecture, once completed, only serves to reinforce and venerate this sorry exploitation and unfounded reverence.
Egomet (via i-l-lusive)
Years ago, I used to think that all the futuristic architecture in Dubai was sooo cooool… until a guy in one of my classes did a presentation about how shitty and horrifying that entire situation is. u_u
In addition, she said, her colleagues need to recognize the potential of women who discover a passion for science relatively late. Studies show that an early interest in science doesn’t correlate with ability. You can be a science nut from infancy and not grow up to be good at research … or you can come to science very late and turn out to be a whiz.
The history of philosophy has always been the agent of power in philosophy, and even in thought. It has played the repressor’s role: how can you think without having read Plato, Descartes, Kant and Heidegger and so-and-so’s book on them? A formidable school of intimidation which manufactures specialists in thought—but which makes those who stay outside conform all the more to this specialism which they despise. An image of thought called philosophy has been formed historically and it stops people from thinking.